Tall and Skinny Shimmy aka Wall Pour Soap Challenge

This November challenge for Great Cakes Soapworks is the tall and skinny shimmy, also called the wall pour. The colors remind my of the stages the sky can go through; blue, pink at sunset and dark charcoal for storms. The micas I used are from Nurture Soap Supplies and TKB. My tall and skinny mold is from American Soap Supplies. I love this mold! For a hobbyist, it really is too big to be practical (wish I had a small 1 pound ts mold), but for certain challenges and soap swaps it is perfect! It is sturdy and has held up wonderfully. The tutorial for building a mold was wonderful, but I just never got around to buying supplies and giving it a try.

I used high lard, sweet almond oil, olive oil, coconut and castor for this batch. I also remained with my standard 40% lye concentration. For a very well behaved fragrance you are certain doesn't accelerate, 40% lye can give extra time for working with thin trace I've discovered. It also allows me to unmold and cut in less than 8 hours normally if forcing gel.

I used an itp swirl each layer.

My fragrances were-
1.2 oz Mysore Sandalwood by Oregon Trail Soapers Supply
.6 oz Velvet Peppercorn by Mad Oils
.4 oz Cedarwood by Bramble Berry
.05 oz Sweetgrass also by Bramble Berry

Finally, here was my setup. I did an itp with
Grey in white
White in grey
Pink in white
White in pink
Blue in white
White in blue
Colors were baby blue, red raspberry (both Nurture), and storm (TKB).

I do wish the itp was better defined, but overall I'm pleased with the basic shimmy I got.

Here are my "didn't make the cut attempts".

Thanks to Amy and Tatiana for a wonderful tutorial and a fun challenge this month!

Secret Feather Swirl Soap

I recently made a secret hidden feather swirl soap. Some problems I encountered in making this swirl are:
Dividers can be too far apart leaving a boxy looking feather.
If it isn't the right trace, colors can either break through the feather layers or they can be too thick they leave air pockets.
The rod used to push through the feather needs to be thick enough to pull down in the colors, but not too thich it separates the feather too far.
Dividers not in tightly can bleed feather colors out.

This was colored with Nurture Soap Supplies Raspberry Red, Mint Green, and a blend of Mocha Brown and Black Pearl. I blended the brown and black because it has been my experience brown mica can thicken trace.

This was done in Bramble Berry's 1 pound silicone mold, and scented with Day-Star's Toffee Sugar Crunch. Because the fragrance discolors slightly, I added titanium dioxide to the side portions.

I made four layers of the three colors, adding the base color between layers twice.

I also discovered you don't have to fill the feathers completely in with color to allow them to appear. You can drizzle it delicately and leave some spots without the feather colored layer and it will still appear in the final soap.

Ebru Soap, a Learning and Creative Process

So with the Great Cakes Soapworks Ebru soap challenge rapidly approaching, I decided to have a go at a couple of more attempts for practice sake. The first attempt you can see here.

These are my second, third and fourth try.

The first up in line is one I decided to use a new fragrance with, which I knew accelerated. I did not realize quite how badly it would accelerate with 40% lye concentration as well as rice. My high lye concentration buys me eons of time with all recipes I've tried, but when there's an accelerator fragrance, it moves far too fast for any intricate designs.

it wasn't a complete disaster. All in all I love the scent of the fragrance, Rice Shea Blossom from Brambleberry, and I do look forward to using the soap. I really could've worked this fragrance so much better, had I not tried such an intricate design with it.

The next soap was an attempt at a combing design. I used a homemade comb tool, pulled it through after laying colors diagonally in the mold, and then free handed swirls throughout. 

I'm kinda a throw and go colorant gal, so I accidentally over saturated the orange. it's quite reminescent of the fab designs of the 60's and 70's in my opinion.

Unfortunately after I made this intricate skewered design, the soap had reached medium to thick trace, and the ebru effect was a little, blobby, for lack of better term.

The excess orange also seemed to overwhelm the design some.

Onto the next soap. This soap didn't trace for eons. I had so much time swirling, I didn't know if it would ever harden lol. I did an ITP swirl with base colors, platinum grey,  dark steel grey, then some khaki yellow. I spiral swirled in the pot and poured. 

I then worked on the design. I tried my hand at birds this time. all in all I'm getting more comfortable with designing ebru art in soap.

 I've learned thinner batter works much better, a steady hand is very important, and harmonious strokes as well as detail work adds great interest. If your base pour is overly intricate, you run the risk of thickening trace, so keep the base design within a reasonable time frame. Gelling truly helps the soap designs to pop. Try different pulls. Many different effects occur from pulling in, out, in and out, swirling, spirals, etc. There is a limitless potential for creativity and imagination with ebru soap.

Ebru Cold Process Soap

I will preface this post by saying, this isn't my contest soap for the month of June, but rather this was meant as a learning tool for those who were looking to see what ebru soap was all about. Stay tuned for my entry into the June Great Cakes Soapworks Ebru Challenge:-)

So, I decided to forgo the Great Cakes Soapworks Challenge of miniature soap desserts this month for several reasons. First off, I am currently involved in an alternative liquid swap on a soap making forum, and was busy creating 15 soaps for the swap. I also decided to make 15 special "extra" gift soaps for this swap. The gift soaps weren't quite what I intended, so I had to redo them. Being as they were round soaps, I only have a 6 round soap silicone mold, well let's just say I wound up with 54 soaps when all was completed (a soap on a stick fail accounted for 6 of those).

So by the time I was ready to focus on the dessert challenge, the link up to submit was already available and I was too late.

So I decided to set my eyes onto the challenge for the month of June, the Ebru Soap Challenge.

Ebru art is defined on http://www.turkishculture.org/traditional-arts/marbling-113.htm as
The Turkish Art of Marbling: Ebru

Marbling is the art of creating colorful patterns by sprinkling and brushing color pigments on a pan of oily water and then transforming this pattern to paper.

So googling the ebru art in soap making, I discovered these examples.
Soaping 101 Video
https://www.youtube.com/watch?v=rzQJrztr2GY
and this video by Sergio Masala
https://www.youtube.com/watch?v=ZFuOjmqWgjQ

Having done the spin swirl the last challenge in April, I chose to spin and then ebru.

I split my batter into
Titanium Dioxide
Activated Charcoal
Nurture Soap Mica Mint Green
and Nurture Mica Red Raspberry
I kept a little uncolored naked batter as well

After pouring a layer of uncolored batter just thick enough to coat the base of my mold, I began poring circles slowly and fluidly into the uncolored batter. I poured one color at a time, on center and slow, then another and etc. In the picture you can see the alternating colors and where I put each circle.

I then spun until I felt it sufficed.

Finally, I again, in the top 4 corners, poured a red raspberry, then titanium dioxide, then mint green circle. Taking a skewer I pulled lines from the outside into the center to give a flower impression.

I topped off the flowers with a small dab of activated charcoal in the middle, and then strategically placed dabs of activated charcoal and titanium dioxide dots for interest around the soap.

The center circle did not spin, so I cleaned it up, and instead of pulling my skewer in, I went from the center out.

This is ebru soap. It is drawing onto liquid soap batter a top the soap.

I used 40% lye concentration. It takes a long time to trace, and it remains very fluid a long time. If you use TD or any other colorant in WATER, however, it (the portion with added water after you have reached trace) thickens fast and, well, very thick. Also, if your fragrance accelerates, it will move like lightning with this lye concentration. If your fragrance behaves, though, this concentration is like a secret soaping ninja weapon giving you an awesome edge on design and time to complete your designs.

I used an essential oil combination of 13 grams of frankincense, 6 grams of cedarwood, and 4 grams of rosemary for this. I also used a 100 grams lye to 100 grams water, 2% sodium citrate (18 oz of oils total), 1 1/2 tablespoons sugar and 50 grams coconut milk (added while mixing to trace...this took eons to trace and so I finally added the coconut milk to aid the trace of the batter).

Now cut pics!

All in all I am pleased with this, and I am eager to make my second attempt ever at Ebru Cold Process Soap.
A final apology for the white washed photos. I am needing to improve my photography skills, and its something I've struggled with a while now!!

Spin Swirl, Great Cakes Soap Works Soap Challenge

So. The spin swirl. Sounds easy, looked easy enough. Well there was one big hiccup.

Two attempts in and the outside was spinning much faster than the center. To see these first attempts, scroll down to the end...

I was prepared for this having spun my soap during the DNA swirl challenge, but I was having a hard time working around this issue.

After trying to be fancy, think outside the box, and be unique (and it just didn't work out right), well I decided it was in my best interest to try and do a good job at a "more typical spin swirl".

Quantum Entanglement
Scented with Green Irish Tweed by Oregon Trail Soap Supplies 
Micas by Nurture Soap Supply, and colorants by Bramble Berry 

I chose a color palate this time for inspiration.

I then decided to focus on the most bold aspects of the palate.

• White- uncolored soap batter 
• Black Tinted Purple-wisteria purple with activated charcoal
• Bright Hot Pink- red raspberry
• Plum Purple-red raspberry and purple vibrance
• Light Soft Pink- hollywood pink 

Please forgive the yellow tinged kitchen lighting.

My recipe was
30% sweet almond oil
6% castor oil
18% coconut oil
36% home rendered beef tallow
10% olive oil
With
40% lye concentration, a 1.5:1 ratio (my go to lye ratio for every soap)
2% ppo sodium citrate
1 TBS ppo sugar
a pinch of tussah silk
4% superfat


I began by pouring some uncolored batter. I then started 3 circles, like a triangle- one on top, two on the bottom corners. I then filled in the space around them with smaller circles and poured alternating colors on top of each circle.

The top of the mold is on the right...this is a side view

I poured at thin trace to accomplish a circle within a circle throughout the depth and allow for the spin when cut at double thick horizontally, but waited for a thicker trace before spinning to prevent over blurring the lines during spin.

I had spun forcefully on my first attempts and decided to spin short bursts and light handedly this time. I wanted just enough to start moving the batter without blurring it around the edges.

This is so neat! It's the bottom of the soap. It looks wrinkled because I had to lay down a square of freezer paper in my mold. Long story short do NOT mark in ink on your silicone molds where the soap will sit. The ink sets, stains, and will come off onto your soap...thus now I need freezer paper on the bottom of the mold.


Here is a pic to see how I cut my bars.

Here is a pic of the horizontal cuts that "filet" the soap open.

A little secret...I put it on a heat pad to gel and got busy. I felt that tingle that tells you "go check it now!", and yup. It was extremely hot and was attempting to alien brain around the edges. I was able to smooth it out with my finger and it was good to go!


Now, for cut closeups!

I had enough time leftover on my trace to take leftover batter, and pour some small ITP like bars.

Yes, this is after I did the spin swirl. Look at the consistency, still very fluid thanks to a higher lye concentration, I believe. Since changing, I've had plenty of time for swirling and such.

This swirl proved more difficult than originally anticipated. I love the challenges for the opportunity it gives in practicing swirls and new techniques.



**********************************************************************************
NOW MY FIRST TWO ATTEMPTS-
Soap attempt 1, I attempted a beautiful pinwheel effect with homemade inserts.

Let's just say it didn't work out. Slight panic and a skewer later...the soap was lovely but not what I truly envisioned.

You can see the tops were not nearly as detailed as the centers. They blurred and over blended.


Soap attempt #2, I tried a beautiful brightly colored faux funnel. I poured from one corner and hoped the outside edges would spread more evenly. Quite the contrary. The edges blurred into oblivion and the center remained almost perfectly still.

Nooooooooo!!!!!

It wasn't so bad after I cut, but not anything like I had hoped it would be. Again, over blended and blurred.